UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
FREIE UNIVERSITÄT
FREIE UNIVERSITÄT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit




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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

I.
THE PROCESS OF
CREATING MUSIC

The World of
Enlivened Silence

The Origin of the
Art of Sound

Responsible Authorship

The Firmament of Music

Creative Music Listening

Writing Down the Score

The Conventional
Practice of Notation

The Error of the Interpreter

The Language of Truth

 

 

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  PART   I   1  
  THE PROCESS OF CREATING MUSIC      
         
 
“Fan­tasy cre­ates re­al­ity.
This is a great cos­mic law.”

Rich­ard Wagner


   
 
The World of Enlivened Silence


   
 
The ori­gin of mu­sic lies in the enli­vened si­lence. Mu­sic is some­one’s very pri­vate mes­sage to his fel­low men, from the si­lence of his heart and from the si­lence of his un­der­stand­ing – com­pletely de­tached from the world of cau­sal­ity.

 
Music beyond the Laws of Causality
 
 
Mu­sic origi­nates from the in­ner free­dom of man, from the deep si­lence of the hu­man mind; it rises from the feel­ing to­wards the un­der­stand­ing and as­sumes the form of sound, com­pletely with­out any outer cause – with­out any per­ceiv­able outer pur­pose, just as a natu­ral ex­pres­sion of the in­ner, enli­vened si­lence at the depth of the hu­man heart.

 
The Impulse of Lively Silence
 
 
Mu­sic radi­ates this in­ner si­lence into the agi­ta­tion of the outer world, re­tain­ing its ex­pres­sion of na­ture-given hu­man free­dom. Thus, mu­sic ap­pears as free­dom in the gar­ment of har­mony and en­chants man for the world of pure beauty, to his own in­ner­most per­fect world, to truth.

   
 
Con­trary to popu­lar miscon­cep­tion, mu­sic is not at all meant to lure man into dream­ing; rather it is ca­pa­ble of in­creas­ing his in­ner aware­ness, pro­vided the mu­sic it­self has been cre­ated on the basis of in­ner alert­ness.

 
Music on the Basis of Inner Alertness
 
 
The ori­gin of mu­sic is where the ab­so­lu­te “Now” is ex­peri­enced by man. It is where – de­tached from space and time and there­fore freed from past, pre­sent and fu­ture – only his self-con­scious­ness exists; the ori­gin of mu­sic is where man real­izes “I am,” with­out think­ing about his past or his fu­ture.

 
Freed from Space and Time: the Absolute “Now” in Music
 
 
This first origi­nal thought of “I am,” which arises when man awak­ens, is the very first men­tal im­pulse of his in­di­vid­ual ex­is­tence in the ab­so­lu­te Now. And for the com­poser, too, this im­pulse of self-con­scious­ness is his first in­ner mu­si­cal thought.

 
The First Musical Thought
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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