no longer perceived the manifold tones which it had so clearly recognized in the musical tone-space: 4. 4, 5, 11. 20, 21, 18. 32, 33
because tonal multiplicity adheres to the motifs only as much as, for example, the fat of a ball of butter sticks to the hand after the butter has been thrown away while the ball is far away, travelling the course that is determined by the hand.